Rotel RSX-1058 Owner's Manual download pdf (Page 39)

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NOTE: Default surround modes are stored in-

dependently for the analog and digital inputs

for each source.

Options for the default surround modes are:

Dolby Pro Logic II, Dolby 3 Stereo, DSP 1,

DSP 2, DSP 3, DSP 4, 5ch Stereo, 7ch Ste-

reo, PCM 2 Channel, DTS Neo:6, Bypass

(for analog input only), and Stereo.

NOTE: The following types of digital discs or

source material are generally detected auto-

matically and the proper decoding activated

with no action or setting required: DTS, DTS-ES

Matrix 6.1, DTS-ES Discrete 6.1, Dolby Digital,

Dolby Digital Surround EX, Dolby Digital 2-

channel, PCM 2-Channel, PCM 96kHz, MP3,

HDCD, and HDCD 96kHz.

Since Dolby Digital 5.1 and DTS sources are

detected and decoded automatically, the

default setting typically tells the RSX-1058

how to process a 2-channel stereo signal.

For example, you might have your CD input

default to 2-channel stereo, DVD and VCR

inputs default to Dolby Pro Logic II process-

ing for matrix-encoded Dolby surround ma-

terial, and TUNER input default to one of the

DSP modes.

In some cases, the default setting can be

manually overridden by the front panel sur-

round mode buttons or the SUR+ button

on the remote. See the Manually Selecting

Surround Modes section of this manual for

more information on which settings can be

overridden.

Two of the default surround mode settings

available on this menu offer additional

choices. Dolby Pro Logic II decoding offers

a choice of CINEMA or MUSIC settings, etc.

DTS Neo:6 decoding offers a choice of CIN-

EMA or MUSIC settings. When either Dolby

Pro Logic II or DTS Neo:6 is selected with

this menu item, the current setting choice will

also be displayed. In addition, the function

of the ENTER button changes, taking you to

a sub-menu where you can change the set-

tings and/or additional parameters for Dolby

Pro Logic II or DTS Neo:6 decoding. See the

following section for details.

GROUP DELAY: Also known as “lip-sync”

delay, this setting delays the audio signal for

an input by the speciﬁed amount to match

the video input. This feature can be useful

when the video signal is delayed more than

the audio signal as sometimes happens with

upconverted digital TV processors or when

trying to match a radio broadcast with the

video from a sports event.

The range of available settings is from 0ms

to 500ms, in 5ms increments. The setting is

individually stored for each input and is the

default group delay each time that input is

selected. The setting can be temporarily over-

ridden from the front panel or the remote.

OPTIONS: This selection is only visible when

Pro Logic II or Neo:6 surround mode is se-

lected. Highlight this line and press ENTER

to go to submenus with additional options;

press the +/- button to select these surround

modes. See below.

To return to the MAIN menu from the INPUT

SETUP menu (except when Dolby Pro Log-

ic II or DTS Neo:6 is selected in the SURR

MODE ﬁeld), press the ENTER button. Press

the MENU/OSD button on the remote to

cancel the menu display and return to nor-

mal operation.

Multi Input Setup

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When the MULTI INPUT source is selected

on the INPUT SETUP menu, the available

options change to reﬂect the fact that these

inputs are direct analog inputs and bypass

the RSX-1058’s digital processing. The INPUT,

CINEMA EQ, DEFAULT MODE and GROUP

DELAY options are not available since these

are all digitally implemented features.

The VID INPUT, INPUT LABEL, INPUT ATT and

12V TRIGGER options are still available and

work as described on the previous menu.

One additional option, LFE REDIRECT, pro-

vides an alternative bass management con-

ﬁguration. Typically, the eight channels of the

MULTI INPUT are conﬁgured as pure analog

bypass signals, going straight from the inputs

to the volume control and the preamp outputs,

bypassing all of the digital processing. There

are no crossovers and no bass management;

therefore, whatever signal goes into the sub-

woofer channel will be sent to the subwoofer

preamp output.

This conﬁguration may not be ideal for mul-

tichannel systems conﬁgured with high-pass

speakers, redirecting bass to a powered

subwoofer. An option, called LFE REDIRECT,

sends the seven main channels directly to

the outputs as usual. In addition, it takes

a duplicate copy of these seven channels,

combines them into mono, and routes them

through a 100 Hz analog low-pass cross-

over to the subwoofer preamp output. This

creates a summed mono subwoofer signal,

derived from the seven main channels of the

MULTI INPUT.

Use the LFE REDIRECT off for the pure ana-

log bypass conﬁguration. Use the LFE REDI-

RECT on setting to derive the mono summed

subwoofer output.

Dolby Pro Logic IIx

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When Dolby Pro Logic IIx is selected as the

default surround mode on the INPUT SETUP

menu, there are additional settings and pa-

rameters to optimize the surround decoding

for music or movie soundtracks. Dolby Pro

Logic II uses matrix decoding algorithms to

derive a center channel and surround chan-

nels from 2-channel source material.

The ﬁrst line of the Dolby Pro Logic IIx sub-

menu selects CINEMA, MUSIC, GAME, or

PRO LOGIC modes for matrix decoding.

Use the +/– buttons on the remote to select

a mode.

Select CINEMA to optimize for Dolby Sur-

round encoded movie soundtracks includ-

ing increased surround separation and full-

bandwidth surround channel frequency re-

sponse.

Select MUSIC to optimize for musical record-

ings. When the MUSIC mode is selected, three

additional parameters will be available on

the OSD screen. Use the UP/DOWN buttons

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Rotel RSX-1058 Owner's Manual Page 39

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